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So, from a prone position I make two shots. Then, slightly rising on elbows, I carry out recoil it I am rolled with a side sideways. I do one-two more a shot and with the following head over heels I rise in a rack. The offered combination can be finished one-two shots from a rack if, of course, to make it the capacity of shop of your weapon allows. There is a weight of receptions and ways of moving to shooting time. Having fulfilled elements making them, it is possible to pass to free improvisations.I believe, rather the good advice here will be pertinent. During trainings "wind" itself on an uncooperative altitude to own successes. Whenever possible, sincerely be indignant at the "curve" hands and "a slanting" eye. It will help you to concentrate on exercises and nevertheless to force itself to be engaged when and not especially it would be desirable. If you need to show the skill in all its shine, that, on the contrary, in every possible way inspire to yourself that you the sniper that in the whole world are not present equal to you in shooting. "Wind" itself on own perfection, believe in it it let your body will feel that it really is a body of the sniper. With concentration switch on in "job" mystical aspect of art of shooting.
Let the formula offered in this chapter it sounds for you a spell. Believe that before you both Robin the Buzzing and Wilhelm Tel it kiddies with slingshots. And only you are the present sniper. Then, whatever weapon had control over you, all the same the class of your shooting will be the highest. For you are a great sniper! Convince myself of it, believe in it, feel, it is what is it valid so I Will remind you an immutable rule, a red thread passing through everything to that I learn you: That it worked, it is necessary to believe. You have believed, what you are a great marksman? it Then: so it also is.
Now we will return to a question which we already partially concerned in the previous chapter: how to develop in itself muscular feeling it feeling of a distance. Offer the partner or the assistant some time chaotically to go nearby from you it both before you and at you behind the back and round you. Let it accelerates that, slows down movement, and sometimes and at all stops. You it first with hardly the slightly opened eyes it should watch continuously a trunk movings of the partner. And, when it stops, your hand fades also; the trunk thus remains is aimed at it. From under the covered eyelids you only hardly distinguish the partner. So the muscular feeling necessary that when it is developed at level of the aggravated intuition it is required, the trunk of your weapon has been constantly directed on the opponent, as though automatically it followed. This feeling is necessary for developing in itself very persistently. The truth usually it occupies not too a lot of time it some days which, however, you should as it is possible to devote all to an operating time of muscular feeling more full.
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